Sunday, June 14, 2026

Sunday Fun: Doctor Who on Blu-ray — I'm a Whovian



Is there a doctor in the house? Are there Doctors in the house? For all my claims that I left the long-running British science fiction television series Doctor Who in my youth, the above photo may prove otherwise. After recently consolidating my DVD and Blu-ray collection I was taken aback somewhat by how many DW season-sets I had amassed... yes, "amassed".

As I've stated a few times on this website over the years, I more or less left the good Doctor behind in my early '20s after catching just a few Peter Davison Doctor stories on Buffalo, New York, PBS affiliate WNED. That part is true for I didn't catch the series on regular basis after OECA/TVO broadcast Who in the mid-late 1970s. Doctors Colin Baker and Sylvester McCoy got no visits from me as I was going to film school during a chunk of their tenures. While attending that college, I had an interesting Who experience, what would be a Who story of my own: While sitting in the film studio one morning, waiting for the class to begin, my classmates and I ran our usual early morning chat, and reading of newspapers. "Hey, Simon." I turned to my right and a classmate handed me a Toronto Star paper revealing an article. "Doctor Who to Be Cancelled." (The hiatus was short-lived, with Who to return featuring a new Doctor for the 1987-88 television season.)

After my course of study finished, and had entered the working world, I managed to pop-on the telly now and again, and saw a few minutes of a McCoy episode. "Oh, that's Ace."

Some trivia to wrap up this piece, and to drive yet another nail into my earlier claim, I admit I've actually watched some episodes on my Doctor Who collection. After a few of these watches of everything Who I missed after my early '20s, I proclaimed the "McCoy-era" to be my favourite.

While embedding the above photo I count 11 (eleven!) Doctor Who Blu-ray series sets. Any rough estimate of how much money those sets cost collectively is something I dare not do. Given that each one probably averaged 40 to 50 dollars each... My word! Is there a doctor in the house?

Saturday, June 13, 2026

Gene Shalit's Long and Fulfilling Film Life



Minutes ago I learned that journalist and famed film critic Gene Shalit has died. He lived to 100 years of age. No doubt he enjoyed life to its fullest.

The video embedded here I recorded from NBC Today on Monday, March 27th, 1989. It was an interview the congenial critic did with legendary film scorer John Williams, who himself is newsworthy right now as he composed the music for director Stephen Spielberg's latest flick Disclosure Day. Somehow Mr Shalit was able to pull off an interview without coming across as fawning... which, at times, certainly to viewers like me, can be annoying and off-putting.

I pulled the 4-minute video clip from a posting I uploaded on February 8th of this year.


Friday, June 12, 2026

Quote: W. Somerset Maugham on Those Essentials

"Any nation that thinks more of its ease and comfort than its freedom will soon lose its freedom; and the ironical thing about it is that it will lose its ease and comfort too."

The 'experiment' continues....



Tuesday, June 9, 2026

Book Snip: The War of the Worlds and the War Within

For the first time since elementary school I'm reading H.G. Wells' classic 1898 science fiction novel The War of the Worlds. On page 32 of the Signet Classics edition, I stopped in my tracks after processing a certain thought by the book's unnamed narrator. While he speaks of his feelings after witnessing the shock and horror of the first Martian war machine's initial flaming attacks, it could mean something more to the reader if he or she were to think in personal existential terms.

I stopped my read momentarily, just long enough to transcribe the passage....

"Perhaps I am a man of exceptional moods. At times I suffer from the strangest sense of  detachment from myself and the world about me; I seem to watch it all from the outside, from somewhere inconceivably remote, out of time, out of space, out of the tragedy and stress of it all. This feeling was very strong upon me that night. Here was another side to my dream."


What have I witnessed? And what could it all mean? I'm going back....



Sunday, June 7, 2026

Picturing: A Bottle of Cool Blue Gatorade



A lovely client of mine brought me two bottles of Gatorade. I thanked her and said: "I've never had Gatorade before, but I remember when I first heard of it." (A friend of mine years ago admitted that he consumed the drink by the gallon.)

One Fruit Punch, the other, as seen above, Cool Blue. The Punch I consumed almost immediately. The Blue will accompany me today during reading time.

Some people are so considerate and generous. I'm guessing that Gatorade is available just about everywhere... I don't think I've ever seen it stocked anywhere, probably because I'm not much into packaged drinks. Well, that might change; I'll let you know.

But first, I want to know: Does it make a good mix with Theragen?

It's Canadian Armed Forces Day! Celebrating the Love!



Minutes ago I remembered that it's "Armed Forces Day". My delay in readying a post to celebrate this special day is an embarrassing and unconscionable oversight by this proud "Brat".

Once a brat, always a military brat.

My father was career RCAF/CAF. My appreciation of our men and women who serve, and who have served, this great country knows no bounds. The RCAF roundel above is a shoulder patch from my RCAF 100th Anniversary Hoodie, which I ordered from the wonderful Canadian Warplane Heritage Museum's gift shop.

Saturday, June 6, 2026

Picturing: An Expired Banana — It Was Good!



This past Tuesday I posted a story about a particular association I have with banana peels. Don't ask!... Just read, here. No doubt the reader has his or her own such associations.

Unfortunately I didn't have my Kodak Instamatic 133 film camera with me during the event described, a loss of authenticity and confirmation I've long lamented, so for the sake of the story I had to do a photographic recreation using one of my Canon digital cameras.

Enjoy!... What's left of it.

* * *

Postscript: While wrapping up the above piece I remembered advice my pappy gave me when I was a kid: "Always have your Kodak Instamatic One Thirty-Three with you; you never know when you'll need it." As one gets older, one realizes our parents had valuable life experience to impart.

Thursday, June 4, 2026

Quote: Voltaire's "Candide" on Proper Priorities

"Il faut cultiver notre jardin." ("We must cultivate our garden.")

And if one does not have a garden, one can start with a flower pot.



Tuesday, June 2, 2026

Blog Post: Amazing Stories, Not! (x3)



Bay Street Video, the wonderful Bay Street Video, here in Toronto, stocks lots of old television series, specials, and documentaries. A few years ago I grabbed Steven Spielberg's misdirected half-hour anthology series, Amazing Stories. Like many video collectors, large and small, I watched two or three episodes before filing a television series to the back of the class. Forgotten. Until I pulled out all DVDs and Blu-ray sets last month to do a little reorganizing. While refiling the discs, Amazing Stories - Season One got called back to the front. Last night I cleared some time and ended up watching three episodes back-to-back, although that wasn't my original plan. Was my series watch of three due to my morbid fascination with a train wreck? Indeed it was.

Let me tell you a story....

In September of 1984 my radio blared some, what seemed like, amazing news: "Steven Spielberg will be producing a television series called Amazing Stories."

I couldn't wait. Well, I could, since I had just started film school, and the intensity of the first year of any such program would allow me to forget about any addition to a platform, television, however exciting it may be with the imagined misguided mad scientists and stomping giant robots, which was the first image that came to mind from my radio's waves. In my late teens I had essentially disregarded the tube as "appointment" "a waste of time every week". Any new program had to earn its stripes with me... even more so these days.

The year flew by, the summer job, my first in this great city of Toronto, and a modicum of anticipation energized the tummy. "The year of the anthology series" broke in September of 1985 with reboots of Alfred Hitchcock Presents and The Twilight Zone, and the booting of Amazing Stories. A high school buddy of mine, Jonathan, who tripped to Toronto with me, and who was now a student at OCA (Ontario College of Art), arrived as planned to see what all the potential fuss might be. I had the big colour television, you see. Impressive, eh? The set's impressive screen size just set us up for thirty minutes of letdown.

"Ghost Train"

Steve? Spielberg? That's it? A freaking train?!

I love trains, but....

Infantile. The bit at the end with the train conductor and the boy's mother was embarrassing. (Spielberg at his patented worst.)

The series not only started off on the wrong rail, it continued its journey with two equally-underwhelming episodes: "The Main Attraction", which was funny enough for the first go-around, but one that lost any magnetism after just a few minutes; and "Alamo Jobe", grueling and drooling, galloping, bleating, in its twisted righteous self importance — a misprinted and rejected Classics Illustrated comic bucked by a horse.

Jonathan and I stopped there. Our train had arrived, and it was time to get the hell off! And get off, we did... if you'll pardon the expression.

John Williams' Amazing Stories theme music, while a fine piece on its own, leaving one with just one guess as to who wrote it, is wildly inappropriate; no fault of the composer, I'm sure.

Last night I watched a random selection of episodes, ones I missed back in 1984-85 ....

"One for the Road" —
I wasn't sure what the point of the story was, other than a pipsqueak version of the worst Twilight Zone episode. ("We get it! Ha ha!") While nicely directed by Thomas Carter, he refrains from overdoing camera technique, any effort by him is thwarted by a script that should never have gone to "mimeo". (Screenwriter Bob Gale had an interesting opinion on that Amazing issue, which I will get to before I wrap up this piece.)

"Gather Ye Acorns" —
An example of an idea that probably looked appealing when fastened in Spielberg's binder of archived story ideas, but one that should have been killed after the first draft teleplay. ("Well, it seemed like a good idea, but it's just not going to work" should have happened.) However, Mark Hamill was good, successfully rendering a man at different times in his extended lifespan. No surprises in this one... a core theme of Amazing Stories, it would seem.

"Mirror, Mirror" —
The episode last night that showed promise: its opening was culled from an old Hammer Studios horror film. Oh, that should have been a bad omen in that there's no way that level could be maintained throughout the episode's remaining 22 minutes. Yep, no go. Sam Waterson is a fine actor, but it just didn't work. ("Gee, that's nothing. When I see my reflection in the mirror each morning, images crack more horror than what Martin Scorsese could give the viewer. Martin Scorsese? That's it?! I'll direct my own scenes, thank you.") Oh, Helen Shaver and Dick Cavett help, somewhat. Anything to help bolster a hopeless script, one that should have been left lying as simple ideas on yellowed binder pages. Perhaps only kids would be scared by this one. Now that I think about it, Amazing Stories probably appealed most to young people. They may be today's defenders of the series. That is until they give it a rewatch.


Bob Gale, as quoted in Joseph McBride's excellent book, Steven Spielberg: a Biography ....

"Steven never could make up his mind what the show was going to be, whether it was going to be scary or whether is was going to be fantasy. Every month Steven would change his mind about what direction we should go. Television is not a director's medium, and it's great that Steven got all these directors in there to do these shows, but the scripts weren't any good. He should have spent more time getting the best writers in the world to contribute, and then worrying about the directors."


Fluttering whimsy, from which Amazing Stories suffers wholesale, is good for an episode or two: anything more indicates scripting problems and a lack of purpose.

What a waste of production management.

Amazing Stories started and ended its life a train wreck. To the scrapyard! No, not the DVD set!

How We Peg Things: A Banana in the Head

Simon's Notes: a Book Report

William Barker Elementary School — CFB Borden — Mid 1970s

During recess one day I was talking with a friend about a book report that we had to produce. During this conversation at the mouth of the school's loading dock, I looked down at the concrete below me. There was a moistly-yellow banana peel laying limp.

When I hear or read "book report" I think of bananas. And banana peels.

Time for a banana!....




Monday, June 1, 2026

Athot for the Day: The Reality of That Type

Pierre Poilievre and his people lack perspicacity.



Thursday, May 28, 2026

Snip: Traffic from These Countries Now



Further to my post from minutes ago, the above graphic illustrates what countries the clicks to this site have come from in the last two hours. I've long loved statistics. The list notes the top 11. Let's not overstate it by listing 20.

Brazil 652
Iraq 396
Bangladesh 243
India 174
Argentina 162
Pakistan 140
United States 113
Chile 110
TĂ¼rkiye 110
Indonesia 103
Canada 96
France 96
Spain 94
Mexico 91
Philipines 85
Saudi Arabia 85
Uzbekistan 83
Kenya 80
Malaysia 79
Other 1.98k


Back to my alternate reality....

Snip: Page Views of 4,003,636



Have no fear, dear readers, regular and drop-ins, my ego is fully in check, even if not exactly in cheque. I awoke this morning to a bit of data convincing me I am right to keep feeding this machine of bits, pieces, and images. My somewhat neglected cat agrees, I think....


Postscript: Since snipping that title card above minutes ago, the counter has gone to "4005305". Next piece....

Tuesday, May 26, 2026

Picturing: Great Lakes Freighter Saguenay Stern



As I posted on Sunday, I have been starting to scan 35mm slides. The results are impressive, certainly for a consumer machine, the HP FilmScan 5" Touch Screen Film Scanner. As before, I've not yet run these through Lightroom, but the basic image files can stand on their own.

Monday, May 25, 2026

Picturing: Model Lisa at a Self-Storage Locker



In late 2024 I was hired to shoot still photos for a self-storage company here in Toronto. Model Lisa was great to work with, which helped make the shoot fun and efficient. Since then I've posted two pictures from that day, and had decided that was enough. After editing the above photo, however, I figured two was not enough since I was happy with the result here. Three makes perfect.

To Supersede the Constitution of the United States

Ten years ago I read How Democratic Is the American Constitution?, a most enlightening book by scholar Robert A. Dahl. Here is a sampling from its Introduction:

"And if our constitution is as good as most Americans think it is, why haven't other democratic countries copied it? As we'll see . . . every other advanced democratic country has adopted a constitutional system very different from ours. Why?"

That's one heck of a hook. And it was.

Now we're seeing that there may be an answer to Mr Dahl's question: it too easily can be bypassed, or outright ignored, by unpatriotic 'Americans'. Is it possible that The Constitution of the United States is, through no fault of its own, not worth the paper it's written on?

I recommend, highly, that citizens of the United States of America read How Democratic Is the American Constitution?, or any such book. Now's the time.

Further suggested reading: The Constitution of the United States


Sunday, May 24, 2026

Picturing: Great Lakes Freighter Saguenay (Toronto)



My first scan from a slide using the HP FilmScan 5" Touch Screen Film Scanner. I'm pretty happy with the results. The colour is nicely saturated, as is the amount of density and fine image detail. For a consumer machine, that's all most users would need or want. I did very little image manipulation; it's pretty as-is. Next, Lightroom.


Postscript: with 'reversal' film, which is what slide film is, image results tend to be best when the camera's exposure setting is at about one-third of a stop under so-called 'normal'.

Picturing: Beauty and the Creep, Toronto Style....


... from the north-west corner of Bloor Street West and Huron Street, Toronto, condo encroachment.

Friday, May 22, 2026

Picturing: Through an Archway at Oxford University



No, I didn't attend Oxford University, but I could have — if I had done a little better in school.

Wednesday, May 20, 2026

Film Design: An Irwin Allen Panel Comes to Life



If you are familiar with the old Irwin Allen television shows Voyage to the Bottom of the Sea (1964 - 1968), Lost in Space (1965 - 1968), or The Time Tunnel (1966 - 1967), you probably remember what I refer to as "The Irwin Allen Panel". There were lots of them. In the early 1960s the 20th Century Fox studios prop department bought surplus U.S. Air Force equipment and made some modifications, including taking the indicator lights and hooking them up to a series of chaser-boxes, thereby producing sequenced blinking lights.

The equipment was already "old" but that did not stop producer Irwin Allen from utilizing them for his futuristic television programs. (It makes sense: 1960s aliens in silver face paint no doubt would operate 1950s Earth equipment.)

By the way, the panels have appeared in many television series, including Lost (2004 - 2010). My guess is they are still available for rent.

When designing my (as of yet unfinished) short film Hyper-Reality, I used the panels in question as a guide. The story requires a retro look. I had a lot of fun conjuring up this piece of fanciful equipment, but credit must go to Dennis Pike for the hours of construction, and wiring the many light bulbs ― "blinky lights" necessary to sell this machine as coming from a 1960s Irwin Allen lowbrow television program. (The panels also made an appearance in the producer's 1974 blockbuster feature film, The Towering Inferno.)

The photo affixed above features a crew member operating a piece of projection equipment. He rotates a tinfoil-covered roller, which in turn reflects light onto the back of a translucent sheet.

I had a great crew.

Picturing: A Lemon-Yellow Sports Car Parked on Bloor



As I ran a few errands this morning on Bloor Street, here in the great city of Toronto, I was armed with my usual: a Canon camera. A sporty-looking car was parked on the south side just west of Spadina Rd/Ave. She was a pretty little thing, bathed in sunlight broken by a tree.

When I prepped this picture minutes ago, a page came up identifying the car. I was taken aback since I hadn't even requested an image search of any kind. Okay... it's a Triumph Spitfire. That detail I had not known. Thank you! (Scary stuff.)

Tuesday, May 19, 2026

Video Clip: Last Night's Special NHL Overtime Goal



I haven't followed the NHL (National Hockey League) in years, but minutes ago I found out that the Montreal Canadiens defeated the Buffalo Sabres in overtime last night... it was Game 7, the series-deciding match.

My beloved Habs will move on to play the Carolina Hurricanes in Round Two, the "Eastern Conference Final".

Any wagers?....


Postscript: My claim of no longer following the league is authentic, but I was aware that Montreal was playing Buffalo. By the way, that goal was a "clink goal" — which is the best kind if your favourite team is the clinker'er, certainly when employing a series-deciding clink.

Monday, May 18, 2026

Athot for the Day: Perspective on Cinema

People who say that Plan 9 from Outer Space (1957) is the worst movie ever made, clearly have never seen Endless Love (1981).



Sunday, May 17, 2026

Reading: Diary of a Low-Born Cleric (Michael Coren)



... I'm just a few days into "2024", but Diary of a Low-Born Cleric (2026) is already shaping up to be yet another enjoyable and enlightening read from Michael Coren.

I've read two previous books from the author and cleric: The Rebel Christ (2021) and Heaping Coals - from Media Firebrand to Anglican Priest (2024).

Picturing: Toronto Fire Truck Speeding Up Spadina Rd


My shutter speed was set high, hence the freeze. (The vehicle was starting to slow down.)

Picturing: From Inside Paupers Pub, Toronto


Food's coming!....

Picturing: About to Enter Paupers Pub This Morning



Paupers Pub, Toronto, 11:15am today. We're on our way in....

The breaky was great! (As was the beer.)

Friday, May 15, 2026

Photo: HP FilmScan 5" Touch Screen Film Scanner



Uncovering loads of archival film negatives, and positives (slides), recently, convinced me that I needed an additional tool to digitize photographs. Several times here on this website I've stated that I should scan a given picture from the neg so I can present a better image. Even Lightroom can only do so much with a proof (printed photograph).

First: the manual.

Then: scanning and posting.

Further: a consumer report. (I'm a former film/video imaging guy, so I will have something to say.)

Wednesday, May 13, 2026

Shooting with a Mitchell Mk II 35mm Reflex in Studio


At 23 FPS Studio 2 here in Toronto.

With Permit: The Conservative Conceit of Knowing

While I was on Facebook yesterday morning I came across a post which can only be described as "utterly brilliant". So impressed was I that I immediately contacted the piece's author, Mr Sat Gill, and asked if I could post it to my website. "Absolutely!"

I'm not going to editorialize the following... it's all there. The joke, of course, is that Conservatives would never read it, which is sad. They would benefit greatly from its vital ideas. ("It's too long!")


"Canada is not an ignorant country. That is precisely what makes the present crisis more interesting, and more damning.

Statistics Canada reported that 57.5 per cent of working-age Canadians had a college or university credential in the 2021 Census, the highest share in the G7. Ontario’s figure was higher still, at 62.8 per cent. Canada has led the G7 in post-secondary graduates since 2006. This is not, then, a country where public error can be explained by some simple absence of schooling. The vice under discussion is subtler than illiteracy, and far more difficult to cure. It is the migration of competence beyond its proper border.

A person successful in one domain begins to imagine that success as transferable authority over all domains. The man who runs a shop thinks he understands monetary policy because he has balanced payroll. The farmer who understands soil, weather, machinery, and labour begins to imagine himself competent to dismiss climate science. The contractor who has dealt with permits begins to believe he understands constitutional government. The podcast listener, after three hours of grievance delivered in a confident tone, imagines himself educated.

This is the peculiar intellectual disease of the modern right. It is not mere ignorance. Mere ignorance is humble enough to be taught. This is ignorance armed with achievement, property, experience, and resentment. It is the ignorance of the capable man outside the field of his capability. It is the tradesman who would laugh an amateur out of his shop, then pronounce on epidemiology after half an hour online. It is the business owner who would never hire an untrained stranger to manage his books, then accepts economic theory from a politician reducing global inflation to a slogan. It is the citizen who demands credentials from his dentist, mechanic, lawyer, and accountant, then sneers at credentials the moment they belong to a climate scientist, historian, judge, journalist, or public health expert.

That is not independence of mind. It is intellectual trespass.

The modern Conservative movement has not created this vice from nothing. It has discovered it, flattered it, organized it, and turned it into a politics. Its genius, if so degraded a word may be used, has been to persuade citizens that their lack of knowledge is actually a higher form of knowledge, uncorrupted by universities, bureaucracies, courts, public broadcasters, experts, or all the other institutions that exist to discipline opinion with evidence. It tells them they are not uninformed; they are awake. They are not suspicious without warrant; they are brave. They are not rejecting expertise; they are resisting elites. Thus vanity is baptized as common sense.

Here lies the real scandal behind the EKOS finding. EKOS research reported by Cult MTL found that among Canadians in the strongest disinformation category, 80 per cent supported the Conservative Party of Canada, rising to 89 per cent when People’s Party supporters were included. The study used true-or-false claims about climate change, vaccine safety, and Russia, then compared belief in disinformation with political support. That finding should not be vulgarized into the claim that all Conservative voters are stupid. That would be lazy, cruel, and inaccurate. The more serious indictment is that modern Conservatism has become the natural political home of people who mistake confidence for competence.

They know things. That is the point. They know how to run businesses, repair engines, manage crews, farm land, teach classes, keep accounts, supervise workers, raise children, sell houses, build decks, wire rooms, lead departments, and survive hard years. Many have worked for everything they possess. Many are intelligent. Many are responsible in the ordinary conduct of life. Yet intelligence in one field does not grant sovereignty over all fields. A man may be excellent at what he does and still be grossly uninformed about what he merely feels.

The modern Conservative voter often sins exactly there: at the point where practical experience becomes epistemic arrogance. Having been right about some things, he imagines himself immune from being wrong about others. Having been patronized by some fools, he concludes that all correction is condescension. Having seen governments fail, he concludes that government expertise itself is fraud. Having caught one expert in error, he makes himself superior to expertise as such.

The farmer’s knowledge is real. It does not make him a climate scientist. The shopkeeper’s knowledge is real. It does not make him a central banker. The police officer’s knowledge is real. It does not make him a criminologist. The parent’s knowledge is real. It does not make him an immunologist. The taxpayer’s knowledge is real. It does not make him a constitutional scholar. The voter’s grievance may be sincere. It does not make the grievance true.

A liberal society depends upon this distinction. Men and women are free to judge public affairs, but freedom of judgment does not abolish the obligation to know something before judging. Mill defended individuality of mind, but never confused individuality with the worship of one’s first impression. Liberty requires the discipline of thought, not merely the permission to speak. The modern right has kept the language of liberty while discarding the labour that makes liberty intelligent.

This is why climate denial and climate minimization remain so revealing. The Intergovernmental Panel on Climate Change states that human activities, chiefly greenhouse gas emissions, have unequivocally caused global warming. Canada’s own environmental indicators report that Canada has warmed at roughly twice the global average rate, and northern Canada at roughly three times the global rate.

Yet the Conservative response has been to turn climate into an argument about personal irritation. The farmer knows weather. The commuter knows gas prices. The homeowner knows heating bills. The business owner knows cost pressures. All of that knowledge is immediate, concrete, and politically powerful. It is also insufficient. Weather is not climate science. A gas bill is not atmospheric chemistry. A tax complaint is not a model of planetary warming. But modern Conservatism takes the partial knowledge of lived experience and licenses it to dismiss the disciplined knowledge of entire fields.

That is how “axe the tax” became more than opposition to one policy. It became a permission structure for ignorance. A serious conservative party could have accepted climate science and debated instruments: nuclear power, industrial carbon pricing, adaptation, permitting, transmission lines, rural fairness, technological investment, or a less politically fragile way of reducing emissions. That would have required governing intelligence. The party chose the chant. The chant flatters because it asks nothing of the listener except agreement.

The same pattern appeared during the pandemic. A citizen may know his own body, his own risks, his own anger, his own lost income, his own exhaustion with mandates. That knowledge has moral weight. It does not make him an epidemiologist. It does not qualify him to weigh vaccine safety from Facebook clippings, nor to decide that public health reporting is a conspiracy because he distrusts the tone of public health officials.

Canada’s vaccine safety reporting states that adverse events after vaccination are not necessarily caused by vaccination, and that evidence continues to show the benefits of COVID-19 vaccines outweigh the risks of the disease. That is the sort of careful distinction a serious public must be able to hold in its mind.

Modern Conservative politics did not teach that distinction. It prospered by blurring it. It found citizens angry at mandates and allowed that anger to bleed into suspicion of vaccines, suspicion of doctors, suspicion of public health, suspicion of statistics, suspicion of any institution that refused to ratify the feeling. There was room for a principled civil-libertarian critique of pandemic government. There was room to say governments overreached, communicated poorly, and sometimes treated citizens as subjects rather than adults. But the right too often preferred the easier harvest: not liberty disciplined by fact, but grievance dressed as liberty.

The Freedom Convoy should be remembered in that light. It was not only a protest against mandates. It was a theatre of overextended certainty. People who did not understand law believed they had discovered constitutional law. People who did not understand public health believed they had exposed public health. People who did not understand parliamentary government believed they could replace elected authority with street pressure and call it democracy. The convoy mind was not merely angry. It was certain. Its certainty was its danger.

That same danger now travels through foreign policy. A Canadian may know war is costly, that governments lie, that foreign aid can be misused, that NATO is imperfect, that media narratives deserve scrutiny. None of that makes him competent to launder Russian talking points as independent thought. The DisinfoWatch and Canadian Digital Media Research Network report found a political divide in vulnerability to Russian narratives about Ukraine, with Conservative supporters reporting the highest exposure and showing greater belief in several Kremlin-aligned narratives than Liberal and NDP supporters.

Again, the vice is borrowed competence. The citizen knows distrust. He mistakes distrust for geopolitical knowledge. He knows governments have misled people before. He mistakes that general truth for a license to disbelieve every specific truth he finds inconvenient. He knows the West has made mistakes. He mistakes that knowledge for moral equivalence between an invaded country and the empire invading it. He hears some podcaster mutter about NATO, biolabs, Nazis, corruption, or proxy wars, and feels himself elevated above the ordinary citizen who still believes Russia invaded Ukraine because Russia invaded Ukraine.

Here, modern Conservatism’s contempt for expertise becomes a gift to tyrants. Authoritarian propaganda rarely asks the foreign citizen to love the dictator. It only asks him to doubt everyone else. It asks him to say, with great satisfaction, “Well, we do not know the whole story.” This sounds like humility. Very often it is vanity. The speaker does not mean that he will study the matter more deeply. He means that his suspicion deserves the same standing as knowledge.

The Joe Rogan episode made the pattern almost too neat. Pierre Poilievre went onto one of the largest American podcasts, hosted by a man with no evident mastery of Canadian constitutional government, federalism, parliamentary responsibility, provincial jurisdiction, Indigenous law, or the actual machinery of the Canadian state. Abacus Data found that Conservative voters were more positive toward Rogan than Liberal or NDP voters, and that Conservative voters were also the most engaged with Poilievre’s appearance on the show.

Rogan matters because he is the high priest of the self-credentialed age. His show imitates depth by duration. Three hours pass, and the listener feels he has witnessed inquiry. Yet length is not learning. A long conversation between two men outside their depth remains a long conversation outside their depth. The set is casual, the tone masculine, the rhythm leisurely, the contempt for “mainstream media” constant. It gives the audience the sensation of intellectual freedom without the inconvenience of intellectual discipline.

A fact-check of Poilievre’s appearance found misinformation or misleading claims about immigration, the oilsands, seed oils, safer drug supply, and inflation. That list is almost comically perfect. It moves from public administration to environmental science, from nutrition to addiction policy, from economics to national identity. The common thread is not subject matter. The common thread is the performance of knowing.

This is what modern Conservative politics has learned to perform: the confident reduction of complex fields into digestible resentment. Immigration becomes a number inflated for effect. Inflation becomes government profligacy with all global causes sanded away. Drug policy becomes moral panic. Energy becomes pure virtue, stripped of environmental consequence. Climate becomes tax. History becomes grievance. Expertise becomes arrogance. The citizen is not asked to understand. He is invited to feel superior to those who do.

Residential school denialism is the darkest version of the same vice. Here the overextended layman moves from error into moral indecency. The historical record is not built on rumour. The Truth and Reconciliation Commission investigated missing children and unmarked burials; the Special Interlocutor’s work has continued around missing children, unmarked graves, and burial sites connected to former residential schools. The issue involves survivor testimony, archival records, ground searches, church and government documents, Indigenous law, forensic practice, and the ethical treatment of burial sites.

The denialist arrives without that knowledge and announces that he has “questions.” The phrase sounds modest. It often means something quite different: no answer will be accepted unless it protects the story already preferred. He has not mastered the archive. He has not sat with survivors. He has not studied the records. He has not earned the right to speak with such certainty. Yet he has noticed that some early public language around “mass graves” was imprecise, and from that imprecision he builds an escape hatch from the whole moral history.

A Canadian Journal of Political Science study defines residential school denialism as misinformation connected to deaths, abuse, genocidal intent, and the identification of suspected unmarked graves at former school sites; it found that denialist beliefs are more common among conservatives. The Special Interlocutor’s executive summary also describes denialists claiming there are no missing and disappeared children and no unmarked or mass graves in Canada.

This is the arrogance of incompetence in its most obscene form. The denialist takes precision, which serious inquiry requires, and turns it into suspicion. He takes the slow pace of respectful investigation and treats it as proof of fraud. He takes Indigenous restraint around sacred sites and calls it concealment. He demands that grief perform for him on his timetable, then declares the grief suspect when it refuses.

That posture has become familiar across the right. Climate denialists have questions for the IPCC. Vaccine cranks have questions for public health. Russian apologists have questions about Ukraine. Convoy romantics have questions about mandates. Residential school denialists have questions about missing children. The questions are rarely instruments of inquiry. They are instruments of delay. They preserve the speaker’s self-image as a thinker while protecting him from the burden of actually thinking.

A true education should teach the limits of one’s competence. That is the paradox. The more one knows seriously about anything, the more one understands how much labour knowledge requires. The real mechanic knows engines are not mastered by attitude. The real nurse knows medicine is not mastered by suspicion. The real teacher knows learning is not the same as exposure. The real lawyer knows law is not a feeling about fairness. The real farmer knows land punishes arrogance. Competence, when honest, should breed humility.

Modern Conservatism has instead cultivated the conceit of the half-informed. It has taught people to treat their instincts as evidence, their resentments as analysis, and their successful management of one life as sufficient qualification to overrule specialists in every other field. Its greatest political achievement has been emotional: it makes people feel wise at the very moment they are being made easier to deceive.

This is why the educated nature of Canada matters so much. A less educated country might plead deprivation. Canada cannot. We have schools, universities, colleges, public libraries, public broadcasters, searchable archives, courts, statistical agencies, scientific reports, and every imaginable means of correction. The problem is not that information is absent. The problem is that correction has become humiliating to those who have been taught to experience correction as domination.

There is a class element here, but it is not the simple one Conservatives prefer to imagine. They like to say criticism of misinformation is contempt for working people. This is a useful shield and a dishonest one. The issue is not work. It is epistemic vanity. Working people are owed truth as much as anyone. Farmers are owed truth. Tradespeople are owed truth. Business owners are owed truth. Parents are owed truth. The deepest contempt is not telling them they are wrong when they are wrong. The deepest contempt is feeding them falsehood because falsehood converts well into donations, applause, and votes.

The Conservative politician who flatters this condition commits a double offence. He degrades public knowledge, and he insults the very people he claims to honour. He treats them as citizens whose anger is more useful than their judgment. He gives them slogans instead of explanations, enemies instead of causes, personalities instead of institutions, and suspicion instead of thought. Then he calls this respect.

A serious conservatism would do the opposite. It would tell its own voters hard truths first. It would say that climate change is real, even if Liberal policy is flawed. It would say vaccines saved lives, even if mandates went too far. It would say Russia is the aggressor, even if Western policy deserves scrutiny. It would say residential schools were an atrocity, even if public language around burial sites must be careful. It would say crime matters, but crime data matters too. It would say public institutions can fail without being conspiracies.

That conservatism would have moral weight. It would deserve argument. It might even deserve power.

The present Conservative movement too often offers something cheaper: a politics of transferred competence and sanctified resentment. It tells the citizen that because he knows something, he may dismiss anything. Because he has worked, he may sneer at study. Because he has suffered, he may ignore evidence. Because he pays taxes, he may treat every public servant as a parasite. Because he has common sense, he may trespass through every discipline like a conqueror.

The result is a citizen who knows enough to be confident and too little to be ashamed.

That citizen is the ideal subject of modern Conservative politics. He is educated enough to speak, busy enough not to study, resentful enough to distrust correction, and proud enough to mistake that distrust for independence. He will not be told what to think by experts. He will be told what to think by entertainers, politicians, influencers, and algorithmic merchants of grievance, provided they begin by assuring him that he already knew it all along.

The final tragedy is that such a citizen becomes less free while imagining himself liberated. He thinks he has escaped elite control when he has merely exchanged difficult authorities for easier ones. He rejects the professor and accepts the podcaster. He rejects the statistician and accepts the anecdote. He rejects the historian and accepts the meme. He rejects the court and accepts the convoy lawyer. He rejects the public broadcaster and accepts the man with a microphone who profits from his agitation.

This is not freedom of thought. It is capture by flattery.

Truth is public infrastructure. A country cannot function when large numbers of citizens come to believe that their competence in one field entitles them to supremacy in all others. Roads require engineers. Courts require law. Medicine requires science. Climate requires climate science. History requires records. Economics requires more than household analogy. Constitutional government requires more than irritation with politicians. A democracy gives every citizen a vote. It does not thereby make every citizen an expert.

The Conservative trade in unreality depends on confusing those two things. It takes the dignity of democratic equality and perverts it into the fantasy of universal expertise. It tells voters that because their voice counts equally at the ballot box, their uninformed opinion counts equally in every discipline. That is the fatal slide. Political equality is sacred. Intellectual equality is earned.

A party may attract the misinformed by accident once. When it keeps flattering the overconfident, defending the uninformed, elevating the unqualified, and building campaigns around the vanity of borrowed certainty, accident becomes confession."



Tuesday, May 12, 2026

Picturing: My Best Balcony Buddy



I was reading: in my peripheral vision I could see a black thing walking by my right foot; immediately I identified it as a scarab beetle, and not wanting to let this little guy leave uncaptured, I ran for my camera and shot stills and video.

As you can see, he's quite the cutie.

Monday, May 11, 2026

Blog Post: Dead of Night and Fragile Systems & BSV



This morning I popped by Bay Street Video, here in Toronto, to grab a certain title. John Kenneth Muir reviewed a short-run indie television series I had not heard of: Dead of Night (1994 - 1997)

"Dead of Night" to me was the 1945 British supernatural horror anthology classic film, but after reading Mr Muir's positive post on the old US television series sharing the same name, I decided, on impulse power, to grab the Blu-ray set.

While at BSV, of course I was not going to leave with just one disc set in my arms, I explored more.

Black Zero's Fragile Systems would be a fine addition to my small library of titles from that Toronto-based label, and add I did. This Blu-ray disc is a compilation of the films of Canadian experimental filmmaker Christine Lucy Latimer.

This post isn't meant to impress anyone on how amazing my life is — I have no house on the Cornish coast, or the Bay of Fundy — but to shout-out the names:

Bay Street Video
Dead of Night: The Complete Series
Black Zero & Fragile Systems


Postscript: On Friday, April 17th, I posted a piece titled "Too Much Physical Media (a Sampling)", which proved me to be a liar whenever I claim, "I'm not a big collector of physical media". Well, I just added more evidence to the pile.

A Great Quote About a Photographic Haven

"Golden hour is just nature’s way of letting photographers feel talented for 14 minutes."

It made me laugh out loud.




Sunday, May 10, 2026

Blog Post: St Hallett Old Block Shiraz Barossa 1996



One of my lovely clients hails from France. We immediately hit it off: I spent a few years of my youth living just a couple of kilometers from the German/French border, on the German side, and watched French telly, so there was lots to talk about.

He asked me if I would like a bottle from his wine rack. I'm hardly a big drinker, but a "No thank you" hardly seemed polite. Then he added that it hails from "1996". I would hardly describe myself as an oenophile, but I took that stamp as a mark of quality. The gent recommended I pass the bottle's contents through something like a coffee filter when filling a glass. That I did not know.

My clients are vintage in quality.

The label reads:

St Hallett
Old Block Shiraz
1996
Barossa

Product of Australia! A cousin of mine probably knows this bottle.

Chat Chat: Do You Hoomans Ever Shut TF Up?

Periodically I'll check my Instagram account to check out the latest... cat videos. That is the default. Instagram must know something about me

Someone posted a video clip about "cat facts", things we probably didn't know about cat behaviour. (We will never know; we'll understand, but never know.)

"Cats developed meows in order to communicate with us humans."

Cats noticed we never  stop  talking.

Practical and perceptive creatures, they are.


Postscript: Did you know that "chat" is the masculine form, while "chatte" is the feminine?

"Monsieur! Ma chatte, Josée, would lack a cafè latte!"

"Right away, garçon!"



Friday, May 8, 2026

Picturing: Makeup Artist and Film School Magic



Makeup artist Christina does her best to try to de-ghoul me. There's a lot of gruesome raw material there and sometimes it takes more than a few brushstrokes to bring one back to "camera-ready".

Kidding.

I was acting in a schoolmate's experimental film and there was a lot of raw material there to work with to take me to "full ghoul"... a few brushstrokes was all it took to get me camera-ready.

It was a fine film. Bob submitted it to a festival, but I don't know what became of it. "The title of which I've long forgotten" was shot with our college's best video camera, the Hitachi Z31.


Postscript: I remember that shirt I'm wearing. I think I still have it. Kidding... I'm not that bad.