One weekend a few years ago I went random, self-programming two disparate, in time and place (and style), narrative feature films.
Beyond the Time Barrier (1960 - Edgar Ulmer)
True Stories (1986 - David Byrne)
Beyond the Time Barrier I saw a few times in my childhood as it played often on television and at least once at my local movie theatre (the Astral in CFB Borden, Ontario). Watching it as an adult makes one appreciate its themes. For a child it was more about the interesting visual stylings, and chills. (Those horrific mutants.) The environmental theme is up front: testing of nuclear weapons 'back' in the early 1970s led to a horrible plague, all but decommissioning the human race. The survivors moved underground; the human birthrate eventually dropped to zero. There's more, all leading to a memorable ending — it stuck with me for decades. This time, Beyond the Time Barrier was better overall than what I had remembered it being, which is odd given that rewatching a fondly remembered matinee flick years, or decades, later often invites: "I remember it being better than that." The passage of time in this case actually helped. By the way, the X-80 rocket plane that flies star Robert Clarke to the astounding year 2024, is in fact a Convair F-102 Delta Dagger.
In the mid 1980s I was a bit of a fan of the band Talking Heads, so it made sense that when band leader David Byrne released his True Stories I would arrive at Toronto's (now gone) Uptown Theatre with bells on. I left slightly disappointed. About a dozen years ago I gave the film another shot, this time on VHS. The loosely connected stories about the quirky but human inhabitants of a fictitious Texas town called Virgil resonated more with this viewer that time around. Spinning the Criterion 2018 DVD release made me appreciate True Stories even more. And there're those always cool Talking Heads tunes. A few months back, the motion picture side of things came up in conversation with a couple friends of mine. They both had much the same reaction: a gentle shake of the head and a "I didn't like it". One added, "The music was really good, of course".
After my double feature finished I realized that both flicks were filmed in Texas. True Story.
Postscript: What's next? Perhaps Aguirre, the Wrath of God and The Endless Summer.














