I couldn't put it down. Actually I put it, The Amazing Spider-Man #33, down on a table in the base PX's cafeteria at CFB Baden-Soellingen. My dad bought me the comic book minutes earlier after I saw it sitting on the news stand. (For himself he may have grabbed the latest issue of the Stars and Stripes.)
We were living in then West Germany when I cobbled that memory. As I found out many years later, issue 33 was first published in February of 1966, which predates my acquiring the book by a few years. I'm guessing it was a reissue; either that or the distributor had some copies remaining.
About ten years later a friend of mine knew exactly and without hesitation what issue I had read. There were others, and from different franchises, but a story about Spider-Man stuck under machinery in a rapidly flooding compartment was most memorable. And, as Lorne, my comic book authority mate, said, number 33 is a famous issue of Spidey.
Stan Lee, who died on Monday at the age of 95, knew how to spin a story, any size.
Wednesday, November 14, 2018
Tuesday, November 13, 2018
Douglas Rain Made HAL 9000
Late Sunday night I heard the sad news that Canadian stage and screen actor Douglas Rain died earlier that day. Not too sad, however, as he lived to 90 years of age. As I wrote in July, I am a big fan of Stanley Kubrick's stellar-opus 2001: A Space Odyssey. In among many essential and memorable elements of that classic film is the character of HAL 9000, voiced to marvelous effect by Rain.
Kubrick had decided early on in 2001's development that he wanted the narrator of Universe, a National Film Board of Canada short subject already influential in the look of his own production, but the Canadian thespian was booked solid. The perfectionist director tested several other voice boxes, including the one belonging to actor Martin Balsam, but he could not get rid of his first notion. As it turned out, more due to 2001's protracted production schedule than anything else, Rain became available and movie history was made.
Douglas Rain was "Hal". We Canadians tend to speak a mid-Atlantic English; perfectly suited for a soft-robotic voice, and Stanley Kubrick understood that.
The super-computer (on his own mission) had many memorable lines, but this is one of my favourites:
"Look Dave, I can see you're really upset about this. I honestly think you ought to sit down calmly, take a stress pill, and think things over."
And the line that tells the audience the Discovery's computer has turned into a little creep:
"Dave, this conversation can serve no purpose anymore. Goodbye."
Kubrick had decided early on in 2001's development that he wanted the narrator of Universe, a National Film Board of Canada short subject already influential in the look of his own production, but the Canadian thespian was booked solid. The perfectionist director tested several other voice boxes, including the one belonging to actor Martin Balsam, but he could not get rid of his first notion. As it turned out, more due to 2001's protracted production schedule than anything else, Rain became available and movie history was made.
Douglas Rain was "Hal". We Canadians tend to speak a mid-Atlantic English; perfectly suited for a soft-robotic voice, and Stanley Kubrick understood that.
The super-computer (on his own mission) had many memorable lines, but this is one of my favourites:
"Look Dave, I can see you're really upset about this. I honestly think you ought to sit down calmly, take a stress pill, and think things over."
And the line that tells the audience the Discovery's computer has turned into a little creep:
"Dave, this conversation can serve no purpose anymore. Goodbye."
Monday, November 12, 2018
Sunday, November 11, 2018
Saturday, November 10, 2018
Film Design: Tights and Fights Set Rough Layout
Once a designer gets the brief on what the set is and what size it should be in keeping with the show's budget, it's a matter of sketching out some basic concepts. In the case of Major Faultline's spaceship bridge it would consist basically of two wings or walls. So as not to be looking into a corner I added a third but smaller section. It went from there.
Above is my rough of the plan view (looking down at the set) and a basic front-on.
From there I developed the detailing in addition to locking down the exact dimensions of the set's structure.
Tight's and Fights was a web series produced between 2010 and 2012.
Friday, November 9, 2018
Film Design: Thumbnails for a Desert Place
The above sketches of a barren land are for a film project I am working on. Where they lead shows in the final production. (I'll upload the intermediate drawings after the short is complete.)
These thumbnails were not done on a paper napkin in a greasy spoon, but rather in my pocket sketchbook in a coffee shop.
Thursday, November 8, 2018
23 Fraser Avenue, Toronto - A Production Centre
The building has since been refaced, but 23 Fraser Avenue carries many memories for me as it was one my places of employment for a few years. When I started working there in late 1994 it was packed to the gills with various production and media companies. It seemed every nook and cranny was put to good rental use. The primary tenant was Film Opticals of Canada Ltd., for which I worked, often into the wee hours of the morning shooting film and composites.
In the back of the building were two soundstages: 23 FPS Studios 1 and 2. (I utilized both stages for principal photography on Hyper-Reality, my uncompleted 35mm short film.)
For a while I had an office at the front of the building -- cheap rent at the time.
Wednesday, November 7, 2018
A Few Good Men - Prime Ministers of Canada
A picture from 1967 featuring Liberal Party of Canada politicians: Pierre Trudeau; John Turner; then prime minister Lester B. Pearson; and Jean Chrétien.
Trudeau, Turner, and Chrétien would become prime ministers of this great country.
Tuesday, November 6, 2018
The Last House on the Left
The U.S. midterm elections are today. There is only one outcome:
* If President Donald Trump keeps the House of Representatives, he is a "genius".
* If the Democrats win back the House, it's because of "voter fraud".
* If President Donald Trump keeps the House of Representatives, he is a "genius".
* If the Democrats win back the House, it's because of "voter fraud".
Monday, November 5, 2018
Some Show Called God Friended Me
An advert reminded me yesterday that had I managed to watch one of those newfangled one-hour dramatic television series' of very little weight: God Friended Me.
About twenty minutes into the program I realized I'd seen this before. It's essentially a new version of Highway to Heaven, Michael Landon's family-friendly series from the 1980s, with some minor changes.
While it's nice to see people of colour in the main cast, the continuing characters read as flat -- in this one episode I've seen, of course. And it stops at one.
I can claim to have seen no more than a couple of episodes of Highway to Heaven but at the time I felt it had some style. There was some filmmaking evident in that five-year mission. God Friended Me carries that snappy dullness so prevalent in series television today.
"Oh, don't forget to wrap up with a song!" That's it. When you have absolutely nothing to say, put in a song! (Where's David Rose when you need him?)
God it was bad.
About twenty minutes into the program I realized I'd seen this before. It's essentially a new version of Highway to Heaven, Michael Landon's family-friendly series from the 1980s, with some minor changes.
While it's nice to see people of colour in the main cast, the continuing characters read as flat -- in this one episode I've seen, of course. And it stops at one.
I can claim to have seen no more than a couple of episodes of Highway to Heaven but at the time I felt it had some style. There was some filmmaking evident in that five-year mission. God Friended Me carries that snappy dullness so prevalent in series television today.
"Oh, don't forget to wrap up with a song!" That's it. When you have absolutely nothing to say, put in a song! (Where's David Rose when you need him?)
God it was bad.
Sunday, November 4, 2018
Sunday Fun: Project U.F.O. Opening
A "mid-season replacement" series, Project U.F.O. satiated those viewers who were into tales of space visitors. The NBC series premiered in February of 1978 to some fanfare, and I was there.
Project U.F.O. was a Jack Webb production, and to make sure there was no mistake who was behind this series, the man himself narrated the opening titles with his trademarked voice and authoritative, and dry as toast, diction.
A typical episode featured stars William Jordan and Caskey Swaim (or the second season's Edward Winter) investigating a UFO sighting. Over the television hour the U.S. Air Force's intrepid special team would interview each individual, who in turn, would recount their story of the event; in Rashomon-like fashion, but without outright contradiction (they did witness something not of this Earth, after all), we'd see essentially the same sequence but with variations based on that person's perspective.
Now that I think about it, the show could be dull at times, even if stories of Unidentified Flying Objects were "in" back then. (Keep in mind that Steven Spielberg's Close Encounters of the Third Kind had been released just a few months before Project hit the airwaves....hoping to catch the wave.)
The final episode of Project U.F.O. landed in July of 1979.
Jean Chrétien on Pot
"I don't know what is marijuana. Perhaps I will try it when it will no longer be criminal. I will have my money for my fine and a joint in the other hand."
I wonder....
I wonder....
Jean Chrétien on Pierre Trudeau's Dream
"Pierre Trudeau dreamed of a society that afforded all of its citizens an equal opportunity to succeed in life -- whatever their background or beliefs, whether rich or poor."
That should not be a "dream", but Trudeau was right to believe in fairness to all.
That should not be a "dream", but Trudeau was right to believe in fairness to all.
Saturday, November 3, 2018
Jean Chrétien on Being On Guard
"A successful politician must not only be able to read the mood of the public, he must have the skill to get the public on his side. The public is moved by mood more than logic, by instinct more than reason, and that is something that every politician must make use of or guard against."
Some politicians don't guard against "that"; not only do they make use of that, they welcome it. Hence: Trump and Ford.
Some politicians don't guard against "that"; not only do they make use of that, they welcome it. Hence: Trump and Ford.
Jean Chrétien on What a Leader Must Know
"A leader has to know how the system functions -- not just the system of government but the whole social and economic system, including business, the unions, and the universities."
The man of some intellect would know. (Ontario Premier Doug Ford is in for a tough time.)
The man of some intellect would know. (Ontario Premier Doug Ford is in for a tough time.)
Friday, November 2, 2018
Jean Chrétien on the Governmental Blame Game
"When you're a mayor and you have a problem you blame the provincial government. If you are provincial government and you have a problem you blame the federal government. We don't blame the Queen any more, so once in a while we might blame the Americans."
That reminds me of someone in particular, but he probably would not blame the Americans.
That reminds me of someone in particular, but he probably would not blame the Americans.
Jean Chrétien on Canadian Federalism
"Canadian federalism is more than a form of government. It's also a system of values that allows different people in diverse communities to live and work together in harmony for the good of all."
The former prime minister, and man of many governmental portfolios, of this great country would know.
The former prime minister, and man of many governmental portfolios, of this great country would know.
Jean Chrétien on TVO's The Agenda
Jean Chrétien, the 20th prime minister of Canada, was a special guest on TVO's superlative public affairs program The Agenda this past Tuesday evening. It was great seeing him again. "The Little Guy from Shawinigan" (Le p'tit gars de Shawinigan) was as direct and honest as ever as he took questions from show host Steve Paikin. At 84 years of age Chretien still carries the passions he so often exhibited during his long political life.
Monsieur Chrétien promotes his new book "Jean Chrétien: My Stories, My Times". To me it sounds like a good read.
TVO The Agenda: "A Storied Prime Minister"
Monsieur Chrétien promotes his new book "Jean Chrétien: My Stories, My Times". To me it sounds like a good read.
TVO The Agenda: "A Storied Prime Minister"
Thursday, November 1, 2018
Why Does One Enlist in Wartime?
In eleven days, on the 11th of this month, the 11th month, we must remember those who went to war and did not come home.
My own father went to war but came back.
The following, a posting I wrote two years ago, is the story about why he volunteered to fight overseas during World War II:
Last night I watched a fine feature length documentary on WWII. Produced by the National Geographic Channel, "Inside WWII" overviews, in the hyper-speed mode so typical of info-dump docs made these days, the 20th century's largest conflict.
Some of the interview subjects explain why they joined the war. I remember the day in 1984 when I finally got around to asking my own father why he enlisted and why he chose RAF Bomber Command:
"I was pissed off. I was doing poorly in school and my mind was on the war overseas."
His rationale for joining the bomber force as a gunner was expedient:
"You got overseas quickly that way . . . It was an eight-week air gunners' course in Montreal."
(He knew that flying as "aircrew" in Bomber Command was dangerous work. Many young men, men too young, got "The Chop".)
As was the norm at the time in this neck of the woods my dad was sent to the CNE (Canadian National Exhibition) grounds for dispersal. From that famous Canadian site began the process of getting "shipped overseas", but as this was wartime it wasn't quite that easy. German U-boats roamed the North Atlantic in search of prey, and a steamer loaded with fresh faces was a prime and highly-prized target.
I will stop here: The above bits and pieces are stressful enough, never mind the few combat stories my dad did let out over the years. (While on one of my trips to England, as part of my ongoing research on RAF Bomber Command I spoke with historian Martin Middlebrook and he gave me some sage advice which I understood too well: "Don't ask your father. He won't tell you anything.")
A few years after the war ended he joined the RCAF and enjoyed a long career with Canada's finest service.
I left the best for last; the big "and" part of my dad's explanation for wanting to see action overseas:
"... And I wanted to get the Germans."
(A childhood friend did not come home; he died when his bomber was shot down over France. Kinda sobering, ain't it?)
Passions of the time, those were.
My father loved Germany and the Germans. We moved to West Germany in October of 1966, just twenty-one years after he flew in a Lancaster bomber doing a job he felt he must do.
My own father went to war but came back.
The following, a posting I wrote two years ago, is the story about why he volunteered to fight overseas during World War II:
Last night I watched a fine feature length documentary on WWII. Produced by the National Geographic Channel, "Inside WWII" overviews, in the hyper-speed mode so typical of info-dump docs made these days, the 20th century's largest conflict.
Some of the interview subjects explain why they joined the war. I remember the day in 1984 when I finally got around to asking my own father why he enlisted and why he chose RAF Bomber Command:
"I was pissed off. I was doing poorly in school and my mind was on the war overseas."
His rationale for joining the bomber force as a gunner was expedient:
"You got overseas quickly that way . . . It was an eight-week air gunners' course in Montreal."
(He knew that flying as "aircrew" in Bomber Command was dangerous work. Many young men, men too young, got "The Chop".)
As was the norm at the time in this neck of the woods my dad was sent to the CNE (Canadian National Exhibition) grounds for dispersal. From that famous Canadian site began the process of getting "shipped overseas", but as this was wartime it wasn't quite that easy. German U-boats roamed the North Atlantic in search of prey, and a steamer loaded with fresh faces was a prime and highly-prized target.
I will stop here: The above bits and pieces are stressful enough, never mind the few combat stories my dad did let out over the years. (While on one of my trips to England, as part of my ongoing research on RAF Bomber Command I spoke with historian Martin Middlebrook and he gave me some sage advice which I understood too well: "Don't ask your father. He won't tell you anything.")
A few years after the war ended he joined the RCAF and enjoyed a long career with Canada's finest service.
I left the best for last; the big "and" part of my dad's explanation for wanting to see action overseas:
"... And I wanted to get the Germans."
(A childhood friend did not come home; he died when his bomber was shot down over France. Kinda sobering, ain't it?)
Passions of the time, those were.
My father loved Germany and the Germans. We moved to West Germany in October of 1966, just twenty-one years after he flew in a Lancaster bomber doing a job he felt he must do.
Royal Air Force No. 626 Squadron - May 1945
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