However, the purpose of this piece is to go for the studio's biggest star: Godzilla.
In the late summer of 1988 I became friends with a chap who had been living in the same building as me for four years. We hit it off right away once we decided to converse with one another. He, Richard, was in the midst of his physics master's degree program at the University of Toronto, and I, a recent film-school graduate, was working very occassionally as a designer on films and television commercials.
How tickled I was when he told me that he was a big fan of the Godzilla pictures.
A pot of tea, a bowl of unhealthy potato chips, two geeks in front of a VCR-powered television set: Godzilla; Godzilla vs. the Smog Monster; Godzilla vs. Mothra; King Kong vs. Godzilla; Destroy All Monsters; Godzilla, 1985; you get the picture.
Richard earned his PhD, and I stomped around in the film and television business.
What, nothing for Gadzooky?
Right answer: Hanna-Barbera
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