I've posted a few times on this blog about my unfinished symphony: a 35mm short film titled Hyper-Reality. Above is a optical printing layout sheet I made in order to shoot some test sections for the film's opening title sequence.
At Film Opticals of Canada Ltd I worked as an optical printer/camera operator. For most jobs the standard procedure was the layout guys would draw up the "dope sheets" (a blueprint of sorts), but for my own film I did the pencil work myself.
The film print (struck from the camera negative) would be laced-up on the front projector, with the raw stock loaded into the Oxberry camera.
Date: don't look too closely.
Camera #: the Oxberry model 1200 optical printer
Lab: Deluxe; formerly on Adelaide Street West, here in Toronto
Stock: Eastman Kodak emulsion 5248 (perfect for shooting a test sequence, as that stock produces a negative with a resulting positive print)
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