If one is really into film scores, he or she probably knows Jerry Goldsmith's brilliant music for 1979's science fiction epic, Star Trek: The Motion Picture.
The production itself was fraught with problems, the primary and underlying one being that the original script was to be the blueprint for a 2-hour telefilm -- actual running time, about 95 minutes. Instead, the core idea stretched out unnaturally to a 142 minute theatrical length. Even with the new extended running time, there did not seem to be enough time for great character scenes and bits, which were the major identifying mark of the original television series; a series with a few outstanding markings, including terrific and memorable music scoring. ("Tunes, man! Tunes!")
As much as I'm into the art and craft of film scoring, I appreciate film music most when it's played with the movie (picture and sound) it was designed to accompany. However, some scores do work very well as standalone works -- Goldsmith's stellar work for ST:TMP is one of them.
In January of 1980, one month after the flick's release, the original soundtrack album LP hit store shelves in my town. And I hit Records on Wheels. But just before I did, a fellow teenaged geek invited me over to premiere his unit of that particular piece of vinyl. His audio system was high-end, and when the music kicked up, at a beefy volume, I felt as though I was listening to something cosmically beautiful. That beautiful.
In 2012, La La Land Records released an "all-in" 3-CD set. I never acquired that boxed set, but I understand that all its versions, variations, and alternate cues, worked well -- certainly for completists.
Last week, La La Land released a new-new boxed set, this one of 2 CDs.
Some sonic samples....
The "overture" (beautiful piece)
Meet V'Ger (the composer gave an all-but inanimate object some dimension and personality)
A Good Start (the Enterprise flies off) (If you heard this on its own you could be forgiven for thinking you just missed a good movie -- you did not.)