Wednesday, November 29, 2017
Film Design: Matte Painting Shot - Almost Final
There's an interesting place here in Toronto, north of the city's beautiful "Annex" area. "Sir Winston Churchill Park" surfaces one of the city's reservoirs and provides for an interesting filming location. Years ago, with a few friends, I took an Arriflex 35mm camera and shot some "plates". Our intention was to optically composite (on an optical printer) the live action footage with a matte painting. Due to the cost of hiring an optical house to composite the footage we did not finish the composite. By the way, to make the plate footage more interesting and to avoid a single "look-off" shot, my friends and I shot a little action scene.
Not long after this shoot I started working as an optical camera operator; I could have composited this bit of business for no charge. My respective bosses, George and John Furniotis at Film Effects Toronto, and Mike Smith at Film Opticals of Canada, no doubt would have let me do this by tagging it onto a "job" (rolls of 35mm motion picture film that were going to the lab as part of normal contracts).
My next posting will show the development of an idea: the optical matte painting and its composite.
Note for above concept illustration: The bottom quarter is the live action, and the rest, the matte painting.