What impresses some of us about the late great film-music composer is his body of work. Take a step back and look at the variety of scoring. From horse operas to space operas, with small and intimate films in between: Wild Rovers to Star Trek - The Motion Picture, with A Patch of Blue and some Gremlins. From television: signature themes for Dr. Kildare, The Man From U.N.C.L.E., and The Waltons.
I met Goldsmith at Toronto's Roy Thomson Hall in November of 1990. He had three concert dates where he played a sampling of his movie material. While I chatted with some people in the lobby after the concert I overheard an older gentleman telling another regular concertgoer (they were dressed like season ticket-holders) his feelings: "I was very impressed . . . it must take an incredible mind . . . that's a lot of music."
"Mr. Goldsmith, I finally get to meet you. I've been a fan for twelve years." I remember the slight smile on his face. Oh yes, another nutty fan. (I was one of many nutters in that lineup.)
I was uncharacteristically a little nervous. Big name, small name, I don't care. But. I'm thinking: "This is the guy who wrote Ave Satani !"
First published as "Film Composer Jerry Goldsmith (1929 - 2004)" on February 11, 2018.
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